Exposure Compensation: to EV or not to EV…

Exposure compensation button on D90 Today’s digital camera’s are wonders of modern technology, encompassing miniature optical, mechanical and electrical systems, and even a CPU.  All of these marvels can be had for as little as a hundred dollars or you can pay upwards of several thousands.  Today I want to focus on the metering system in these cameras – not so much on what they do, but on what you can do when you don’t like what they do.

The metering system in your camera assesses the scene you are shooting and does it’s best to determine what settings will provide you with the best exposure.  Depending on the mode (P, S, A, M) you’ve selected, the camera may select the aperture, the shutter speed or the ISO, all of the above or none of the above, leaving it to you.  Most times, it does a pretty good job, and typically the more expensive cameras will do a better job than the really inexpensive ones.  But the metering system’s settings might not be to your liking and this is where exposure compensation comes into play.

Metering systems are designed to lighten dark scenes and darken light scenes, and capture everything at a standard level of brightness, known as 18% gray.  This works fine in most cases, however, not all.  Sometimes, the metering system can’t handle complex lighting situations where there are both light and dark areas in the frame.  Depending on the balance of light and dark areas in the scene, the meter might end up over-lightening (overexposing) or over-darkening (underexposing) the scene.  The metering system can also struggle when faced with a scene that is predominantly either bright or dark.  For example, this image was shot in aperture priority mode, at f/2.8, 1/50 second, with available light and no exposure compensation.  The image of the cup is not as white as in reality, because  the meter tried to render it as 18% gray.  More on this in a bit…

White cup against black background without exposure compensationIf your camera has exposure compensation adjustments (most DSLR’s and some point and shoots do), then you can change the exposure the meter arrives at by forcing the camera to take in more or less light, resulting in a correct exposure.  Exposure compensation is typically measured in Exposure Values (or EV’s), which represent increases or decreases of light in stops:

  • One positive EV is equivalent to one positive exposure stop, or a doubling of the amount of light that enters the camera.
  • One negative EV is equivalent to one negative exposure stop, or reducing by half the amount of light coming in.

Cameras typically allow selecting EV’s in 1/2 or 1/3 of a stop increments, usually up to plus 3 or minus 3 total stops.

When you decide to change the EV as you’re about to make an image, your camera will adjust the exposure settings depending on what mode you are in.  If you are in Aperture Priority, it will adjust the shutter speed; if you are in Shutter Priority, it will adjust the aperture; if you are in Program mode, it could adjust either aperture or shutter speed or a combination of both.  In Auto mode, exposure compensation will not work, and in Manual mode it will have no effect.

So an example of how you could use exposure compensation to correct the white cup image above would be to increase the exposure compensation by dialing in a positive EV.  I chose an EV of +1:

white cup, black background with exposure compensation plus 1 EVEverything else remained the same.  The resulting exposure was f/2.8 (no change), 1/25 second (one half the shutter speed of the original).  You can see that the cup is whiter but so is the black background.  I prefer the whiter cup but I also want a darker background, so the easy solution is to darken the background by increasing the shadows in Picasa, a basic photo-editor.

white cup, black background with exposure compensation plus 1 EV, editedOne of the most common examples of when you would use exposure compensation would be snow scenes.  Because your camera is striving to capture everything as 18% gray, that snow that looks white to you will appear in your image as… you guessed it, gray, because your camera will underexpose the scene.  For example, this was taken without exposure compensation at f/7.1, 1/200 second:

Tree in snow, P, f/7.1, 1/200 sec, EV 0Pretty dark.  So I dialed in an Exposure Value of +2/3 to force the camera to allow more light in, which resulted in this image:

Tree in snow, P, f/6.3, 1/160 sec, EV +.67Better.  I shot these in Program mode, so the camera opened the aperture to f/6.3 and slowed the shutter speed to 1/160 second.  This second image is better, as it brightens the scene and still  portrays the gray and overcast day that it was, but I could have gone to +1 EV or even +1 and 1/3 to brighten it further.

Another typical use of exposure compensation is when shooting a sunset.  In that case, where you may be looking at a darker foreground and sky but with bright light from the setting sun, the meter will usually overexpose, trying to bring everything up to 18% gray.

For example, this sunset was taken without exposure compensation in Aperture Priority mode at at f/2.2, 1/400 second:

Sunset over the lake, A, f/2.2, 1/400 sec, EV 0Not bad, but it could be better.   So I dialed in an EV of –1 and the camera exposed the scene at f/2.2 (no change) and 1/1000 second.  This faster shutter speed resulted in a darker sky and water, and really accentuated the colors of the sunset.

Sunset over the lake, A, f/2.2, 1/1000, EV -1 One question you should be asking about now is “So if I do need to use exposure compensation, how much EV should I dial in?”  and the answer is simply, I don’t know.  In fact, only you will know that answer and that will come by experimenting.  Digital images are free to make, so make many.  Look at your LCD screen and if the image you just made and it’s histogram are too dark or too gray, EV in a positive number.  If it’s too light, EV in a negative number.  Start with 2/3, look at the result and adjust from there.  With more experience, you’ll begin to look at a scene and know immediately, this calls for exposure compensation of –2/3, for instance.  And you’ll be right.  But in the meantime, experiment.

Another tip is to use auto-exposure bracketing (AEB).  This will take multiple images in succession, changing the exposure by set amounts that you choose.  So for example, a bracketed set of images might be taken at –1, 0, and +1 EV, allowing you to choose the best one when you get home.  AEB will be a future post but for now, check your camera manual to see if and how to do it.

Other reasons to exposure compensate are because the metering system in your camera is not working correctly (it could be off just a bit, resulting in consistently over- or under-exposed images), or you may simply have a different artistic interpretation of the scene than what your camera rendered.  In either case, it’s exposure compensation to the rescue.

Generally, an exposure compensation feature is designated on your camera by the [+/-] symbol, highlighted in yellow in the picture at the top of this post.  If you don’t see that, check your camera’s manual to see if it’s labeled differently and how to access it.

As you venture away from shooting in pure Auto mode, you’ll enjoy the added control you can exercise over your images with exposure control.  And in time, it will become second nature.

Thanks for visiting 2 Guys Photo.                                   Posted by Ed

About Ed Spadoni

www.2GuysPhoto.com "Thoughts and opinions, resources and experiences… for emerging photographers everywhere."
This entry was posted in Images, Learning and tagged , , , , , , . Bookmark the permalink.

5 Responses to Exposure Compensation: to EV or not to EV…

  1. I have been waiting this post from either you guys or Art. Thanks! I usually switch to Manual Mode and adjust the shutter speed to underexpose sunsets. It shows me -1/3 or whatever. I sometimes adjust the aperature too. I guess that’s similar to using EV? I see in AV mode I have EV. Not in M mode which you’ve said above and it makes sense now. I’ve not used EV much. I like the twist on this post about improving snow shots. Although I have underexposed to get desired results, I’ve not overexposed. I’ll try it next time. A good friend had tried to explain gray scale to me several times and it was about hopeless, but maybe after several more repeat lessons I might get it;-)

  2. Howard Hull says:

    I use EV frequently and find it very helpful. I haven’t used AEB up to now but it’s a great idea and I will try and remember to give it a try. When time permits, I like to play with the manual setting. Thanks Ed, great info!

  3. arthill says:

    Good post that explains it well. And saves me from having to write one for Maryann 🙂

  4. Angelyn Parado says:

    i have this question on my mind ever since; when and when not to use EV just to realize that it’s actually all up to me and to my experience. Thank you for your wonderfull article my question is now answered.

  5. Angelyn says:

    nice article, i’ve learned a lot. (:

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s